Dust jacket illustration for the first edition of "Tarzan of the Apes" |
First published in 1912, “Tarzan of the Apes”
proved so popular with readers that Burroughs wrote a total of 24 Tarzan novels,
spanning into the 1940’s.
Novels
Despite the movie, television, comic book,
syndicated strip, cartoon and other incarnations of Tarzan, the most rewarding
portrayal of the Jungle Lord remain in Burroughs’ original material.
There is a level of detail, insight, and
reflection that immerse the reader in the Jungles of Africa, where Tarzan,
Jane, N’kima and the Waziri tribe encounter new mysteries and civilizations. Burroughs’ Tarzan transcends a fictional character, so convincing is he embellished as a
force of nature.
Orphaned on the
coast of Africa, John Clayton, Lord Greystoke is raised by apes in ignorance of
his human heritage. Under the
rigors of jungle hardships and customs, Tarzan (“white skin” in ape language), develops
physical attributes and abilities rivaling man and beast. As he matures, Tarzan’s intellect enables him to progress beyond the limits of his
anthropoid family. Although eventually recognizing his ancestry as heir to the
Greystoke title, Tarzan remains most at home in the wilderness, sleeping in the
"crotch of a tree" or navigating the "upper terraces" of
the jungle in his own fashion. Adopting the victory cry of the "bull ape,"
Tarzan proclaims his superiority as “Lord of the Jungle.”
Probably my first real opportunity to embrace
Tarzan was with Filmation’s Saturday morning cartoon. Tarzan was stoic,
athletic, and unlike most live-action adaptations, he spoke fluent English.
Christopher Lambert's performance in "Greystoke: The Legend of Tarzan, Lord of the Apes," was the most chimp-like of all. The first half of the film is captivating; the second, a snooze fest. |
A pivotal adaptation was the 1984 film “Greystoke,
The Legend of Tarzan, Lord of the Apes.” The epic landscapes and immersive
jungle sequences were memorable, including scenes highlighting Tarzan's foster ape-mother
and the unfriendly native tribes who attack jungle explorers.
I was honored to work on the 1999 “Tarzan” film
with Walt Disney Feature Animation. Artistic and technical breakthroughs were combined
with exceptional storytelling, modified in places for family appeal. I never
had an opportunity to animate Tarzan, instead assigned to the bumbling Dr.
Porter. Still, it was a privilege to have contributed to this classic
Disney film.
Illustration
The greatest illustrators of the last century
have had a hand in visualizing Burroughs’ Tarzan. Instead of naming every
artist and how significant their contribution was, I’ll mention three of my
favorites.
Hogarth's Tarzan is full of introspection and symbolism, with muscles to boot. |
Burne Hogarth did two stints drawing the Sunday and daily strips starting in 1937 and leaving in the 50's. He published two Tarzan graphic novels in the early 70's. I was always impressed with his sensitive portrayal of Tarzan; He ponders the meaning of
life, the wonders of the universe, and the superiority that man has over the
animal kingdom. Hogarth’s anatomy lessons would become a big influence on me as
a young art student.
Joe Kubert captured the DC comic book
incarnation of Tarzan with his rich brush strokes, lending a unique visceral
quality and mood to the narrative. Many consider Kubert’s to be the definitive
illustrated version of Tarzan, and I might agree.
While Kubert's mastery is undeniable, Tarzan
gained ultimate stature for me with Neal Adams' mid 1970’s Ballantine book
covers. I’m mesmerized by the depth and depiction of the “story moment.” Never
has Tarzan seemed so relevant in regards to the source material as he is on
these covers. Adams presents us
with a god-like superman, bursting off the page amidst an orchestra of action
and determination.
More Adventures
"The Legend of Tarzan arrives in theaters July, 2016. Fingers are crossed. |