In the first part of this series on “Managing Up as
a Freelancer”, I described how “managing up” is a necessary component of a
successful freelancer’s career. It’s not merely a technique used by corporate
staff to get promoted or produce companywide success. It is also a vital part
of the freelancer’s strategy of constant diligence, yielding satisfied, repeat
clients.
In Part 2, I will highlight key areas that help the
freelance artist create a streamlined experience for the client, one that minimizes
problems and yields excellent results.
Getting to Yes: Alignment
The first thing you want when starting an assignment,
be it remote or on-site, is to get into alignment
with your client.
It’s not effective to sit down, follow
instructions and think you’re doing your best. Even though you are an
autonomous freelancer you must be briefly informed of the project history and
details of the intended outcome. Are they presenting to an internal or external
client? Is the concept already sold and merely needs to be fleshed out for
group discussion? Or are they risking their last dime on this presentation to
gain the new contract?
Your designs should fit the presentation.
Are they printing your illustrations for display on presentation boards in a
conference room? A Power Point
slide show, or a PDF document distributed via Skype? If the big pitch is for
the newest brand acquisition, the frames might have a higher fidelity than
looser storyboards prepared for a director who wrote the script. Whatever the form,
establish the parameters and details ASAP. Part of “managing up” is getting
clear on what you’re asked to deliver and why. The more you know the better you
can proceed.
My clients often invite me to brainstorm sessions. I
consider it an honor. If you’re asked to brainstorm, give it the importance it
deserves. Your client values your input and experience. Take charge of their
concerns – remember you are building trust with clients. “Managing up” means
you aren’t afraid to discuss decisions that will serve them best.
Agree
After you and your client are in alignment on what
the desired goals are, you must agree on “when”
to get there. Are you working the whole day? Lunch? Coffee breaks? Need to stop
at a certain time so you can make your kids evening drama production?
Communicate times and involvement up-front. Not only will you focus better,
you’ll be uninhibited by questions and do your best work.
Agree on “how”
you will submit roughs and final frames for review. Can you reach the client
via email, or stroll over to their desk? Are they in meetings all day? Do they
prefer you send a PDF which they can quietly review on their tablet during
their weekly staff meeting? Would
they rather discuss progress at your work station? Either way, they’ll be happy
if you make it convenient for them.
Other
details relate to the “what” that you
will create - that is, what formats and styles? Are you drawing digitally or
hand drawn frames on paper? Black and white? Color? Line? High-fidelity refined
frames or low-fidelity loose images? Maybe they have a visual target you can
reference?
Since you both agree “when” to deliver, “how” to get
there and “what” it should look like, forge ahead. Together, you can make
adjustments as needed.
Adjust
After the client and I review the script, I sometimes
identify more frames than discussed.
If it turns out the original 10 frames to be finished at 5:30 have
doubled to 20, get some clarity. Do they want all twenty frames now that you’ve
got their adrenaline pumping? Is the delivery flexible? If not, what then? Should
you remind them “I was hired to do only ten frames“ or should you bunt your way
to 20 frames, hoping to score a home run?
A smart alternative is to suggest another solution.
Maybe you deliver 20 frames at a much rougher fidelity level than planned in
the same amount of time. If it serves their needs just as well, you’ve managed
up. Take ownership of the final results by getting their permission to use your suggestion, or to produce another one.
Things can change rapidly on an assignment. For example,
after lunch, the client suddenly asks if they can have the frames at 3 o’clock
instead of 5:30. You’re starting to feel stressed and taken advantage of. But
hold on - you’re the expert! They hired you
to assist them in achieving greatness. There’s no need to feel manipulated or
pressured beyond what you can achieve. If they really need everything earlier
and you want to accommodate them, suggest what you CAN deliver by 3. Can the
frames be painted with broad strokes, masses of shapes without detail? Can they
choose a smaller selection of deliverables in order to meet the deadline?
How you handle changes in direction or deadlines
makes all the difference. Communication is important every step of the way.
Never take for granted that a client knows what your thinking. Constant
communication and evaluation of progress is vital for client success and
satisfaction. When details and plans change,
remain poised. “Managing up” is a sign of professionalism and uses deliberate
action to get results.
Trust
The greatest complement a freelancer can receive is
when a client leaves them alone. They go to lunch or meetings knowing you’re on
the job because you’ve won their confidence. They feel safe because your
suggestions are good ones, and you are in alignment with them.
When
employers find someone who is great at their job and a pleasure to work with, they
will love having you around. Since you aren’t subject to the same jaded outlooks
many staffers are infected with, your enthusiasm makes you a perfect candidate
to tackle a problematic or difficult job. As your storyboards, concept art or
illustrations breath new life into their troubled project, you will become a
favorite freelancer for future projects.
Satisfaction
Guaranteed
After following the above practices, you’ve handed
in all deliverables. Now take a minute to see if the client is happy. You may
have to wait until after their presentation to find out. Usually, you can gauge
their satisfaction by how relieved they are once completed. Since you partnered
methodically with them and received their blessings every step of the way,
they’ll remember how instrumental you were for a smooth production and how you inspired
confidence for the project.
In the odd case the client is not happy with what
you’ve provided, express regrets and ask what you can do to make them
happy. You also want to know where
things went wrong. At what point did both of you not align in the process? Walking
through it step-by-step allows the client to revisit the decisions they made, suggesting
a constructive review both parties can learn from.
Wrap it Up
After
ending on a good note, mention that you would love to work with them again.
Perhaps they can refer you to other potential customers. Also, it’s perfectly
fine to ask for a testimonial that you can share on your web site or linked-in.
They may not have the time or patience to put one together no matter how much
they liked your performance, but assure them you only need one or two
sentences. With that amount of brevity, their comments will get right to the
point. If they are slow to get back to you, be patient. They just had a great
experience, let’s keep it that way. You can always circle back when the time is
right.
I hope these points on “managing up” as a freelancer are
helpful. It may seem common sense, but many times we can forget to employ such
basic principles. As your talent gives you entrée to seek freelance work, “managing
up” is the method you use to secure a foothold. Get into Alignment. Agree on “how,”
“what,” “when” and “where.” Adjust
the plan as needed. Finally, build Trust
between you and your clients. You’ll be delivering the highest level of Satisfaction their money can buy.
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