Thursday, July 27, 2017
In July 1964 Capitol records released a collection of previously British releases titled "Something New." The collection contained songs from the British release of "A Hard Day's Night" as well songs from the British "Long Tall Sally" EP such as "Slow Down" and "Matchbox," along with a German language version of "I Want to Hold Your Hand."
The release of Something New would become a suggestive comment on the Beatles legacy. Something New delivered previously uncollected Beatles a year after The Beatles became an international musical and pop culture.
Over the following decades, there have been countless Beatles compilations, rarities, remixes, biographies, documentaries, films, and tributes, each boasting a different evaluation of the multifaceted group.
Harry Truman in his biography "Plain Speaking" was quoted saying "There's nothing new except the history you don't know." With the launch of Sirius XM's The Beatles Channel this past May, it seems there are always new things to discover about the band. Just when you think you knew everything about The Beatles, The Beatles Channel provides a plethora of facts that are as fascinating today as they were years ago. Their process, their habits, their struggles and their opinions continually captivate, and listening to their songs and stories reiterate just how everlasting their charisma remains.
Hosts like Peter Asher, Dennis Elsas, Chris Carter, Bill Flanagan and celebrity guests including Ron Howard, Don Henley and Billy Joel share stories and analysis that make The Beatles Channel an engrossing addition to The Beatles chronicles.
Tuesday, July 25, 2017
|Splash page highlighting some of Mike Ploog's best work.|
Following the success of the original 5 POTA films and the advent of the POTA TV Series, Marvel published a great BW magazine (bigger dimensions than your average comic book) which could be scooped up for a handsome dollar at your local newsstand (if they hadn't sold out yet!).
In a former post where I mentioned POTA and gave away two self-designed POTA tee shirts to lucky readers, I highlighted the brilliant pencil art of Tom Sutton and the writing of Doug Moench in the most amazing and visually inventive Ape Art a kid could witness. In this post, I am sharing the contributions of two additional art greats - Mike Ploog and Rico Rival along with the striking cover by artist Bob Larkin.
|Bob Larkin's POTA cover illustration |
promised new and unusual
interpretations of the POTA universe.
In 1974, I was mere young pup, and somehow managed to finance a few issues of this rare mag. To say that I was incredibly pleased is an understatement. The cover of issue # 13 by illustrator Bob Larkin had me transfixed for years. Since then I've researched a lot of Larkin's work, and this cover may be one of his best published pieces. The reflected light and additions of red contours on the primary Ape's left side are outstanding and contribute to raising this art above the norm. The background showing the ape and the girl tied at the stakes while more apes dance a "dum-dum" around their fire are direct as they can be. This is going to be one Ape tale that General Urko himself would cherish.
|Mike Ploog's narration is lush in black and white.|
Ploog's use of high contrast black inking is complemented by his deft placement of grey tones throughout. Like an old black and white movie, the lack of color can work wonders in the right hands, and Ploog captures a mood of despair and mystery with his handiwork. Ploog had a distinguished career in movies as a story and concept guy for many years following. Doug Moench's writing is more memorable here than in many of his Marvel and DC super-hero titles.
|Escape from the Planet of the Apes |
lovingly illustrated by Rico Rival
If Rico was missing all the fantasy subjects he and other Philippine artists were doing at DC back in the seventies, it's not evident. The splash page alone makes me wonder just how the heck this guy was so good? He clearly relishes the drawing of drapery, people, poses, action, pantomime, mood and emotion, embellished with his bold line work and immersive staging.
Many of today's comic artists would probably copy movie snapshots for an illustrated movie adaptation. Rico Rival instead draws the daylights out of the story and makes this interpretation feel like a brand new totally original ape animal .
If you have a day to kill, kill it with these two genius artists. You will be mesmerized and astounded over how beautiful comic books can be in the right hands.